Easy Pieces

Live drums, bass, guitar, turntables & keys run through samplers & effects. They broke up in & moved to other projects including Fog (Ninja Tune), Dosh (Anticon), Hymie's Basement (Lex), & Neotropic (Ninja Tune/Mush) but here is a sample of their output.

There is still much debate as to how to classify the instrument, though most will classify it as a member of the stringed instrument family. The lyre is a fairly simple instrument in design, in general. It can take some effort to create the instrument, but the basic design is not overly complex. Like the guitar or the violin, the lyre has a hollow body, which is often referred to as the resonator because it is what enhances the sound so that people can clearly hear it.

Someone looking at a lyre would probably make the observation that it almost makes one think of the harp. While the lyre is not a harp, it is played in a similar fashion, in that the strings are strummed instead of plucked. It is often associated with Classical Antiquity because that is when it was most used. It was used by the Ancient Greeks for a number of different reasons, such as entertainment. It was such an important instrument at the time that many pictures, sculptures and pottery include the image of someone holding onto or playing the instrument.

The design of the lyre has not changed much over time. It could be that there was little need to change the shape or how the instrument was made because it served its purpose well enough the way it was, though the material that the lyre is constructed out of may have changed. It could simply be that the lyre has always been in that general form and it would be a break of tradition to alter it.

You Cannot Lie With a Lyre

The strings, which have to be tuned regularly in order to keep the instrument in tune, are fitted over a bridge that allows the strings to vibrate freely. The number of strings a lyre has depends on what model of lyre it is - some have four strings, others have as many as ten and still others have only seven.

The lyre is not a common instrument for students to choose to learn how to play. Most public schools do not have access to them and stringed instruments are often not included in the bands anyway because they are expensive. However, if someone were to have an interest in learning how to play the lyre, it is probably not too difficult to find a teacher.

As is the case of many stringed instruments, it could take some time and patience before someone is able to play the lyre well. It is an instrument that takes time to develop the skill necessary to play it well, though it may not be near as difficult to play as the harp. The lyre has fewer strings and is a smaller instrument in general.

Earn Extra Money In Your Spare Time Selling Guitar Effects On-line

Modern technology, including the Internet, has leveled the playing field for small business owners, and now you can get into the action. Starting your own business may sound like a daunting task, but literally thousands of people across the country do so each and every week. This handy guide will cut to the chase and provide you the detailed formula for starting your own successful online enterprise. You'll learn how to select the right business entity, how to start marketing, keep track of sales and inventory, much more. Order today, and within literally a couple weeks you could be up and selling online.

Not surprisingly, the two men most responsible for the concert guitar were both Spaniards - Torres (1817-1899) and Tarrega (1852 -1909), Torres, working in collaboration with the guitarist Juilian Arcos, increased the size of the instrument, particularly by making the two bouts of the soundbox wider in relation to its overall length. he also increased the scale length (the distance between the bridge saddle and the nut, where the sting vibrate freely), which ultimately came to be standardized at 26 inches. Torres improved the fingerboard by flattening it and reducing its width to about two inches, thereby making fingering an easier matter than it had been before. Perhaps mast importantly of all, he redesigned the entire internal structure of the soundbox giving it seven fan braces instead of three - placing extra braces at the tail around the sound hole, and on the ribs. this not only strengthened the instrument, but also improved its tone and raised its volume by distributing vibrations evenly to every part of the body below the sound hole. Subsequently, other guitar-makers further refined the instrument, but Torres' contributions remain the most fundamental of any.

But the guitar was soon to make a comeback. Towards the end of the century a sixth string, the low E string was added - most likely in the instance by a certain music-master from Dresden named Naumann. Before long, the sixth-string guitar was standard throughout Europe. At about this time, moreover,there came to the fore in Spain guitarists unprecedented virtuosity and flair, among whom the most noteworthy was Fredinand Sor (1778 -1839). Sor, not only a gifted performer and showman, but also a diligent composer and transcriber of works for the guitar, toured the continent and finally England where his impact on the musical community was tremendous. Thanks to the missionary work of Sor and other talented Spanish guitarists, the guitar regained its popularity and world-famous composers, accepting it for the first time as a usable instrument, began to write music expressly for it. Rossini did so in his score for "The Barber of Seville" and "Verdi in Otello", while Schubert, Haydn and to an ever greater extent Paganini and Berlioz, all composed guitar music.

Until about 150 years ago guitars were normally played solo, with or without accompanying voices to relatively small audiences.

Since Tarrega, a number of outstanding concert guitarists have entranced audiences throughout the world, including two of the master's pupils, Llobet and Pujol. Today there are many great concert artists who give regular guitar recitals in major cities around the world, each one is to some degree, a product of the line of development set in motion by Andres Segovia - the first concert guitarist to confront and conquer the mass media. Via the medium of radio and records, plus his concert performances and teaching, Segovia established the playing patterns, repertoire and attitudes that have prevailed throughout the Western world for more than 50 years. Several great guitarists - Julian Bream, John Williams and Leo Brouer, to name but three, have contributed to the expansion of the Segovian repertoire, but despite their efforts, the run-of-the-mill classical guitarist still draws from the well that Segovia dug.

With the coming of the Renaissance, inspired in part by Moslem learning brought home by returning Crusaders, the lute become the favorite instrument of Western Europe.

The Spanish Guitar Emerges:

During the seventeenth century, as lute-playing declined in popularity, guitars began to find their way abroad to France, Germany and Italy, where the instruments were referred to as "Spanish Guitars". The instrument was played at the sumptuous court of France's Louis XIV and the Sun King himself took lessons on it. By the middle of the 18th century the guitar was firmly established in fashionable circles throughout Contintinental Europe. Thereafter, its voice was increasingly drowned out by those louder and more 'sophisticated' stringed instruments - the harpsichord, piano and violin.

In Spain however, the lute was already overshadowed by a new instrument, the guitar. Two types of guitar were played by the Pyrenees: the vihuela, in the court and among fashionable society, and the guitarra latina, by ordinary folk. The former had eleven strings, five double and one single, and was plucked. The latter had four double strings and was strummed. The vogue of the vihuela reached a peak in the first half of the sixteenth century when many composers wrote works for it. At about the same time a fifth string was added to the guitarra latina, which thereupon gained so rapidly in public favour that by the end of the century it had displaced its rival throughout most of the lberian Peninsula.

History Of The Spanish and Classical Guitar

Once it became a concert instrument, guitarists were called upon to perform in larger halls, often together with musicians playing other instruments. it soon became obvious that the six stringed instrument needed much more volume if it was to make itself heard in these altered conditions. this led to increases in size and hence, in volume - which eventually resulted in the concert guitar we know today.

Enter The Concert (or Classical) Guitar: